|
When I've told some people
about do-it-yourself publishing, they've said: "But Jim, I don't
have a logo! How could a book survive in today's fast-paced world without
the authenticity and recognition that a brand imbues?" Well, as we
believe that hoarding credibility is as unpleasant as hoarding money,
No Media Kings invites you to...
NMK Classic. Our
most prominent logo connotes a playful joie de vivre
mixed with something darker. Contrasts nicely with books that
are ruthlessly slick.
Download the .tiff file.
|
This saucy little
spoof on the HarperCollins identity is a nice counterpoint to
rough- and-ready production values. If it's used outside of a
satirical context, it has the added bonus of attracting a copyright
infringement lawsuit -- can you say Free Publicity?
Download the .tiff file.
|
You thought Broken
Typewriter was old school? Think again. Victorian-era typesetting,
with its gorgeous nicks and flaws, was the original distressed
font. Historically edgy.
Download the .tiff file.
|
Have fun, and if you end
up using one of them we'd love to see it:
10 Trellanock Ave.
Toronto, ON
M1C 5B5 Canada
Now that you're "real",
here's some basic overview things to consider when publishing books.
- Think about your distribution options
early. It's a key factor in deciding how many books you want to print,
and you can gauge the level of interest before your print run. Printing
2500 copies in a country where 5000 sales has been a bestseller is risky
if you don't have a mid-level distributor with a sales team.
- There's a bunch of publishing options
beyond full-service printing but they generally mean more hands-on involvement.
Decide if the hours that you'll have to put in make up for the savings.
- Obviously there's a ton of people already
publishing books, at the indie and the corporate level. The purpose
of this site is not to convince you do it my way, just that it is possible
-- knowing this will give you considerably more power in any publishing
deal. For lots of people, indie presses will be ideal -- their wealth
of skills and knowledge could make the process much less daunting. While
the royalties you get will be smaller than doing it yourself, neither
do you have to put up the money. Because they were cool enough to give
me lots of tips and info even when I was self-publishing, I bet these
folks would give you a fair deal: Mike at Insomniac, Jen at ECW, Les
at Raincoast, Vern at Rushhour, and Blaine at Arsenal Pulp.
- Other income streams can also offset
the costs of being a cultural producer in a market as small as Canada.
The Ontario Arts Council and the Canada Council give out money for writers,
although publishers generally have to have a few books out to qualify.
As a small business, however, publishers can apply for entrepreneur
and startup grants. It's kind of a lottery, though, so don't factor
it in -- becoming dependent on the grant system is bad idea for all
sorts of reasons.
- This site's not intended to be taken
as gospel, just a starting point. You'll develop your own systems for
making and refining your art. The interesting thing for me was comparing
my own intuitive method with that of corporate publishing -- in some
cases mine was more rigorous. I get at least a dozen people to mark
up my manuscript, for instance, as opposed to the four editors I had
at HarperCollins.
|