Shorts

Feb 042014
 

I’ve been getting together with folks I made Ghosts With Shit Jobs with to make a trailer for our next project, Haphead — starts shooting on Sunday, get in touch if you’d like to help out. We’re going to be working with the same actress who starred in “Just Ella” — a short I wrote/directed for the Lo-fi Sci-fi 48 Hour Film Challenge. It screened at Toronto After Dark (my favourite Toronto film fest) a few months back, and now you can watch it here.

“Just Ella” posits a future overrun by gibbering monstrosities. Ella takes refuge in a “the Ossington Safehouse, a collectively-run space dedicated to human sovereignty.” But despite doing the assigned tasks on the chore list, the Safehouse isn’t safe — the terrors outside are nothing compared to those within.

Contains perhaps the first cinematic example of autocomplete used for a dramatic reveal.

Credits here.

Jun 072012
 

Only now recovered from the Toronto Ghosts With Shit Jobs screening last week — we sold out the theatre and got a really nice response from people. Thanks to all the folks who came!

We showed trailers prior to the screening for our pals at Iron Sky, ByoLogic, Manborg and Rasputin’s Bastards, and afterwards Sean announced the Lo-fi Sci-fi 48hr Film Challenge and I showed off a brand-new GHOSTS USB Bracelet.

We’re excited about our next screening and Q&A: Saturday July 14th at 8pm at MIT in Boston. It’s a free screening and open to the public, and I’m doing a bunch of other game related stuff while I’m in town.

May 272012
 


It’s been a wild week! Our Kickstarter ended up raising $20,000 (quadruple what we asked for!) and we got the Best Feature award from the awesome Sci-Fi-London fest. The Grid also just posted a great article on the movie with a bunch of tips from me on low budget filmmaking — the writer really got the spirit of the thing, with phrases like “happiness is the only real currency exchanged on an all-volunteer set.”

Next week of course we have our North American premiere in Toronto. (We’re 2/3s full at this point, so you might want to pre-order tickets.) But the day before that is the party for the new issue of Spacing — the Disaster issue. Spacing is one of my favourite magazines both to read and to write for, and I’m delighted to reveal that I wrote a Ghosts With Shit Jobs-inspired spread in this issue — it’s a tour given by Anton Karrento of Toronto in 2040. Plus, the Karrento Brothers are going to be at the magazine launch party, combing the area for spider silk caches in the nooks and crannies of the Evergreen Brick Works. Spacing parties are always fun and the location’s amazing — come on out!

The little article below was a sidebar that didn’t end up in the spread, but I thought I’d post it here as an early taste. Continue reading »

May 142012
 

I’m not crazy about Blu-ray, so I started to think of alternative ways to deliver the 1080p version of the movie and came across these usb bracelets. When I started to think about what else you could put on it, I realized there was a connection to one of the ideas in the movie: that in 2025 the Cloud was repossessed. I like the idea that people can also use it to store their own locally owned data, as insurance against that day. Or even if nothing happens, for a time when you make the choice to get off the Cloud (or the grid) and find out that something you clicked I Agree to years ago limits that choice.

You can buy it here. (Sorry, only DVDs left now.) More thoughts below. Continue reading »

Apr 242012
 

Fantastically, we reached our goal of $5000 in three days, and it’s still climbing. Thanks to everyone who pledged or told their friends. Thanks also to the Kickstarter folks who made us a staff pick on their blog.

Now we get to decide where we go!

If you have any interest in seeing us bring Ghosts With Shit Jobs to your town, please drop a line. We’re looking for people who’re willing to spread the word in their community and in teaming up with like-minded organizations or collectives (or mythical constructs) to make it happen.

Some interesting stats: approximately 25% of the money funded came from Kickstarter inbound links. The platform more than earned its 5% cut.

I recognized about 25% of the names of the donors, and the rest were lovely, generous, strangers to me — but probably many of them were familiar to our large cast and crew.

For those who haven’t pledged yet, you have until May 18th to get a DRM-free copy of the movie direct from us for ten bucks.