So my fifth book and my first graphic novel, a collaboration with Salgood Sam, is finally available. Therefore Repent! is my take on the dark fantasy world established in the Holy Bible’s Book of Revelation. Some folks have asked about its relation to the Left Behind series, also set post-Rapture but with a conservative bent. I haven’t read it (though I have watched the movie starring Kirk Cameron and featuring Toronto’s CBC building as GNN Headquarters) but from what I hear it’s sincere bible fan-fiction, careful not to violate the canon. Mine’s closer to Bible slashfic, what with the bisexual angels and nipple-clamp-enhanced demonic communion. I like to think I’m re-imagining the Bible franchise, like Frank Miller did for Batman. Head over to the store to buy it or keep reading for the back cover copy and to see a hot book striptease. (more…)
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Therefore Repent! Now Out!!
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Drawn Out Apocalypses
Therefore Repent!, my post-Rapture graphic novel, is launching on Thursday August 16th to kick off the Toronto Comic Arts Festival. It’s a co-launch with another comic about the end of the world — my pal Claudia Davila has written a thoughtful and ultimately hopeful story about what happens when the world runs out of oil. As well as the books being on sale, Salgood Sam will be bringing down the original Therefore Repent! art from Montreal for folks to ogle — crazy ass shit like this. Keep reading to see the neato flyer for the event. (more…)
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How to Become a Famous Writer
I’ve always prided myself on the fact that the DIY publishing articles on this site have a certain lack of, shall we say, bullshit. And normally, a book called How to Become a Famous Writer Before You’re Dead would smell a little funky to me. However, Ariel Gore, Hip Mama mag creator and indie culture maven wrote this book, and like all her books (I’m particularly fond of her memoir Atlas of the Human Heart) it is excellent. As well as sharing her own considerable experience, she interviews folks like Ursula K. Le Guin, Dave Eggers, and even me, and manages to pack more wisdom and practical advice than I’ve ever seen in a book of its ilk. (It had an extremely high nods-per-minute ratio.) She even gets the folks she interviews to give “assignments” at the end, making it a writing class unto itself. Plus it’s extremely readable — I intended to skim to find something to excerpt but I found myself sucked in and reading most of it. Below is one of my favourite sections in the book. (more…)
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Scoring Wisely
One of the things I thought would be easy — as I know a fair amount of musicians — was getting Infest Wisely scored. What I discovered was that people who write and perform songs aren’t necessarily able or inclined to compose music to order. I’ve seen this before with illustrators that aren’t good designers, even though both are visually-based skills. (Though Marc Ngui, whose hilariously dead-on fake ad was used in this week’s ep, can do both. He also did this anti-milking public service announcement for ep 2 that ended up being cut.)
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Willy’s Wonder
General Chaos, the penultimate episode of Infest Wisely, was posted yesterday. A lot of people have cited the talking cat scene in it as their favourite part — which wasn’t hugely surprising, I mean, talking cats are quantifiably awesome. What did surprise me was that Shannon wrote me that her six year old son Willy now suspects their cats Boo and Lucy of talking to each other in British accents when they’re not home. I’ve never written anything that both six and sixty year olds can enjoy on some level, so it kind of blew my mind.
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Snowing Digger
We posted the fifth episode of Infest Wisely, Sublime Algorithm, yesterday. (It’s the one I directed.) I liked the idea of Digger becoming legendary and people spraypainting his image over the city, and after I saw posterchild’s stencil of Alan Turing I knew I wanted him to make it. This led me to the one ethical conundrum of the whole shoot — using public or quasi-public spaces for shooting didn’t bother me at all, but I didn’t want to use real spraypaint to put up the stencil. If the content of the stencil was somehow political, I would have felt fine about it, but I felt that it wasn’t really meaningful outside of the movie context.
So I looked for another way to get it up there. I thought I was onto something with fake hair colour (and Exile stayed open late so I could buy a few cans) but it was way too watery and completely unusable. Then in a last hour save, Susan suggested the fake snow in a can we had from another project. It worked perfectly.
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I Won’t Be Upgraded
One of the funnest moments for me on the Infest Wisely movie was getting to see a song I wrote the lyrics for get performed on stage. It was nothing like I imagined it — it was so much better. At the time I was writing the script I had a half-assed idea my pal Maggie and The Republic of Safety might do it. Maggie was on tour, however, but Chris and Anthony stepped up to the challenge: they put together a band from scratch, got them to practise the music Chris’d composed, got them glam-punk wardrobe and tattoos, and then booked the Cameron back room for us to rock out in!
It’s hard to communicate how surreal and fucking awesome it was to see this stranger belting out the words I’d written just two months before:
Get out of our bodies/ you sneaky parasite / if you think we’re your new home/ you’re in for a fight!
Our leaders and rulers our rights have traded/ but I’m fuckin human and I won’t be upgraded!Just try not to sing along! (Though if you haven’t watched it yet, it’s better to see it in context in episode four of Infest Wisely, “Spawning Rebellion“.)
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Taking Pictures With Your Eyes
It’d be pretty cool, wouldn’t it? Nanotech is going to be able to do all that and more according to the latest ep of Infest Wisely, the lo-fi sci-fi movie I wrote. Early Adopter, directed by my co-producer Craig Macnaughton, follows the story of the voice actress after she ingests a beta version of the new technology. Is it just the stress of her disintegrating relationship or is the EyeSee application a little… buggy?
For the screening I’d offered “nanite-enhanced treats” for attendees, planning something like popcorn with suspicious looking powder, but Susan immediately suggested gum instead — Christina installs EyeSee with a stick of chewing gum. At the time of the shooting we didn’t have any packaging for it but Craig whipped some up and then I hand-rolled 250 of them a few hours before the screening. When people got them at the door they were advised to wait until after the movie to eat them. Click through to see the hilarious package. (more…)
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The PowerPoint of the Future
The second episode of Infest Wisely went up today — Orientated features the infamous bathroom hijacking scene as well as a sales presentation introducing the “little biological helpers” destined to change the world from the inside out. The nanites were too darn cute NOT to put on 1″ buttons, so we made four designs to give to the attendees of the advance screening: click the Lil’ Red button to see Nursey, Muscles, & Officer Friendly.
Kirby Ferguson directed this one and Craig Macnaughton did all the SFX. Having to design a futuristic PowerPoint presentation wasn’t exactly a stretch for him — he’s done it for years at his day job. And I know it’s just a function of the way the animation works, but the way the nanites move exactly in tandem freaks me out in just the right way.
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Infest Wisely Packs the House
In a nutshell: one of the best nights ever. The advance screening for Infest Wisely on Friday drew about 250 people, people who laughed at the right spots and didn’t laugh at the rough spots. Quite unique for me — at my book launches people buy the book, go away and read it, and then I find out how they enjoyed it months later. With this, at the end of the event a roomful of people had seen the whole thing from beginning to end.
Today, we’re releasing the first of the seven Infest Wisely episodes, Obsolete — we’ll be posting one a week until all seven are online. This ep was directed by Jon Sasaki, who years ago helped articulate the work-with-what-ya-got approach of the Novel Amusements project. It was an approach that served us well on the set of Obsolete — when the batteries for the shotgun mic died we used a MP3 player and a lapel mic to get secondary sound.
Click through for some pictures of the screening and the q&a afterwards. (more…)
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Lo-fi Sci-fi Movie Advance Screening
The advance preview screening of my first feature is happening two weeks today! INFEST WISELY is about a new, chewable nanotechnology that lets people take pictures with their eyes and cures cancer. But the early adopters find out it’s hard to uninstall something after it’s spread through their bloodstream…
I wrote it as seven 12 minute episodes directed by seven different directors (pictured here) to stand on their own, but with an ongoing narrative and interconnecting characters that allow it to combine to form a feature length movie. Check out our brand new site and watch the trailer, and if you’re in Toronto check out the advance preview screening (AKA the Infestor’s Meeting) on Friday May 18th. If you’re not in town, we’ll be releasing it as Creative Commons licenced weekly episodes soon after, so stay tuned!
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Long Interview With Short
I’m proud to say that my interview with Emily Short, my favourite interactive fiction author, is on the front page of the equally fantastic game website Gamasutra. And yes, Infocom fans, I think her work is better than Zork-era games both from a programming and writing standpoint. Download her free games and find out why.
While you’re on Gamasutra you might want to read this great interview with Jon Mak, a Toronto game maker who’s EverydayShooter builds on the Japanese underground abstract shooters — it features his sweet indie rock guitar strumming against a throbbing colourfield that makes you feel more like you’re collaborating rather than conquering. He deservedly nabbed several awards at the 2007 IGF.
And if all this game writing excites ya, we’re looking for videogame and other guest articles on theculturalgutter.com, let us know if you have an idea for a genre most consider beneath consideration. We pay $50 on publication.